CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS 2005
4 channel video projection on painting, (installation still), 15 min loop with stereo sound 190 x 250cm, (75 x 98 inches)
CROSSINGS
4th Guangzhou Triennial: Memories of Cinema: Mani Kaul/Ranbir SinghKaleka, Guangzhou, China 2011 photo credit: Avijit Mukul Kishore
CROSSINGS
4th Guangzhou Triennial: Memories of Cinema: Mani Kaul/Ranbir SinghKaleka, Guangzhou, China 2011 photo credit: Avijit Mukul Kishore
CROSSINGS
Mori Art Musuem, ‘Chalo! India: A New Era of Indian Art’, Toyko, Japan 2009
CROSSINGS
Chicago Cultural Institute, ‘New Narratives - Contemporary Art from India’, Chicago 2007
CROSSINGS
Installation shot, Arario Gallery, ‘Hungry God’, Beijing, China 2006
CROSSINGS
Bose Pacia Gallery, solo show, New York 2005
CROSSINGS
Venice Biennale, ‘iCon - India Contemporary’, Venice, Italy 2005
Stylistically, the landscape shifts, heaves and transforms in relation to the events staged in the landscape. The four 8 feet x 6 feet paintings
will in parts be painted in great detail with an extensive range of colours. Other areas will be monochromatic. Some projected images will
be gelled with the painted images rendering them largely immobile. The occasional animation in these images will amplify their stillness. (In
cinematic terms the immobility will exist within the actual course of time: it will psychologically stretch time, enhancing it), other video
images will run and move freely between the four paintings. The static video images will on occasion move away from their painted selves
leaving behind a colourful or monochromatic ghost: an ‘after-image’. The characters visit other paintings and return to inhabit their ‘painted
shells’ revitalising them with their ‘breath’.
Crossings installation video by Avijit Mukul Kishore
4th Guangzhou Triennial: Memories of Cinema: Mani Kaul/Ranbir SinghKaleka
Guangzhou, China 2011